Musical

Study examining Yorùbá traditional music as narrative force in African theatre, documenting songs for Osofisan's Red is the Freedom Road and advocating systematic musical preservation protocols.

Explore how Burkinabé artist Black So Man uses human constellations and affective language in his music to critique postcolonial state dysfunction and neocolonial exploitation in Burkina Faso.

Explore how digital spatial notation functions as audiovisual art in contemporary electroacoustic music, transforming audience engagement and concert experience design.